1.527 meters

Pilaz Pila

Les Fusines Li Fejeune – 1.700 m
Blanchard Biantchart – 1.724 m
Rovinal Rovénal – 1.709 m
Praz-Sec Pra-Sec – 1.700 m
Les Péyoz Li Péyo – 1.725 m
Les Droles Li Drole – 1.757 m
Bernosin Bernozìn – 1.750 m

This small settlement in the upper Val d’Ayas would seem to derive its name from the Latin pilare, to pound, indicating the presence of millstones and crushers, but also from the chaff removed from barley.

Pilaz (Pila in patois) is characterized, in its upper part, by fine ancient stone and wooden houses clustered around the Chapel of Saint Michael the Archangel (1746).

Here too, as almost everywhere, the main beams are like identity cards revealing the date of the buildings (with examples predating the 17th century) and the names or initials of the owners. Wandering among the typical examples of Aosta Valley architecture (multifunctional houses and rascards), one notices sundials and painted coats of arms, windows with lintels shaped like an overturned ship’s hull, and imposing arched gateways.

Pilaz had a mixed school, opened by Auguste Clos (1835–1909), parish priest of Ayas, and, like all self-sufficient villages, it possessed a mill, a cooperative dairy, and an oven.

 

At the foot of the settlement, near the course of the Evançon, there once extended a truly cutting-edge industrial area, active until the 1990s, with a mill-sawmill and an attached hydroelectric power station. Here, thanks to the power of water, electricity was produced and distributed to the nearby villages, cereals were ground, woolen fabrics were fulled to produce drap, and timber was sawn.

Map of Pilaz

House with concentrated functions

This house with concentrated functions stands as an emblematic example of Alpine rural life, where every space was expertly organized to ensure survival in a harsh environment. The vaulted stone structure, supported by a central monolithic column, attests to the local constructive ingenuity, capable of combining robustness and functionality. The rascard, resting on a solid masonry base, housed areas dedicated to threshing cereals and storing food supplies, accessible from an upper level reached directly from the road. This configuration addressed the need to concentrate all vital functions for people and animals under a single roof, in a particularly severe climatic context, especially during the long Alpine winters. The self-sufficiency of villages such as this one derived from an economy based on mountain agriculture, sheep and cattle breeding, the extraction of minerals and soapstone, and traditional crafts, such as the production of clogs. The villages were organized into residential nuclei distributed along gentler slopes, connected by a dense network of paths and mule tracks, with squares, ovens, mills, and fountains serving as focal points of sociality and communal work. The care of the terraces, still visible, and the management of resources, regulated by the seasons and lunar phases, reflect a millenary balance between man and the mountain environment, which shaped this region until the early decades of the twentieth century, before the advent of mass tourism.

Chapel of San Michele Arcangelo

This chapel, whose origins date back to the 17th century, carries a history of devotion that has evolved over time: initially dedicated to Saint Peter, it was rededicated to Saint Michael the Archangel in 1746, in honour of the renowned warrior archangel, symbol of justice and protection against evil. Saint Michael, depicted here as a celestial soldier wielding a sword and scales, embodies the figure of the vanquisher of evil and judge of souls, a role that has earned him veneration throughout Christendom. The chapel’s façade is a veritable theological triptych: on the left, beside Saint Michael, stands Saint Peter, identifiable by the keys to the kingdom of heaven, symbolising his apostolic authority and guardianship of the heavenly gates. On the opposite side, the presence of Saint John the Evangelist, direct witness to the life of Christ, and the Virgin Mary under the title of “MERE DE GRACE” – Mother of Grace – completes the spiritual tableau, evoking protection, faith, and hope. The feast of Saint Michael, celebrated on 29 September, keeps alive the tradition of this chapel, which stands as a testament to faith and sacred art, reminding us of the importance of celestial figures in the religious and cultural history of the place.

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